But really, the only reason the bomb’s timer needs to be five months is because that’s how long Batman takes to heal. In the comics when Bane broke Batman’s back, Batman wasn’t Batman for a year and only came back after his physiotherapist magicked him back to health (ah, 90s comic books).įor The Dark Knight Rises, they wisely ditch that angle but instead they remove Batman from the action for five months which is also the timer on the bomb. However, if you break his back then he needs time to heal. It feels as though the Nolan brothers ( Jonathon Nolan co-wrote the script) knew that if they used Bane in their movie, they would have to break Batman’s back. saw dollar signs, so instead of getting further work on it or making notes, they just gave it a thumbs up.Ĭase in point, the bomb’s timer. After this watch that feels very much like it could be the case, as sometimes the script feels as though a first draft was written and Warner Bros. had to promise Nolan he could make Interstellar, and that once he said yes they wrote him a check and left him to it.
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I’ve always speculated that in order to get this movie made, Warner Bros. The last Batman movie I saw was Justice League, so it’s definitely time to get back into the good Batman movies and see how The Dark Knight Rises fares away from the hype. As a film critic, I find it completely infuriating, especially as this sort of idea continues to gain traction with Cinema Sins and the less egregious though still pretty terrible Honest Trailers.īut I digress.
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And the why would be a series of continuity errors and plot holes and questions like ‘How can Batman get back into Gotham City?’ (the answer: he’s Batman.)Īs a big Batman fan I saw this as pointless nitpicking and railed against it, especially as this sort of criticism, in which a movie’s meaning or intent is ignored for the sake of pointing out the tiniest of tiny errors and making a “joke” about it, was becoming more and more popular with the creation of Cinema Sins in the same year. Picturesīut there was also a very loud corner of the internet who decided that no, actually, The Dark Knight Rises was very, very bad and then they would present a list of why. I went back to see it at the cinema a few times and after the initial euphoria died down I saw that, while I really enjoyed it, it had some flaws with pacing and a few strange choices, but overall I thought it was great. It had a stellar cast, big action, a lot of emotion, and while Tom Hardy couldn’t ever hold a candle to the late Heath Ledger, his Bane is better than a good 90 percent of the cinematic supervillains we’ve seen since 2008. Would it be flawed but enjoyable ( The Return of the Jedi), would it get better with time ( Alien 3), or would it be pointless and not even worth watching out of a sense of morbid curiosity ( The Godfather Part Three)?Īnd then it was released, and it was brilliant. However, if The Dark Knight Rises was going to be not as good as The Dark Knight, it was still exciting to see how. After all, the threequel isn’t exactly known for its winning streaks. And deep down a lot of us were preparing for disappointment. There was always going to be a sequel to it, a trilogy finisher to complete Christopher Nolan’s vision of Gotham and the hero that protects it. and it really kicked open the door for serious filmmakers to get involved with superheroes (and it probably didn’t hurt that Iron Man came out the same year.) In terms of sequel pedigree, it is up there with the greats: Aliens, Empire Strikes Back, The Godfather part 2, etc. The Dark Knight is a tough act to follow. Sometimes this means we sit down in the cinema with expectations and preconceived notions that we can’t escape.Īway from the Hype is an ongoing series looking at some of these movies years away from their initial release to see if, without all of the window dressing of hype, expectation, and controversy, the movies are actually any good or not. Sometimes, a movie is released and the hype/controversy surrounding it are too much for the movie to get out from under.
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